Gherardo Starnina – The Death of the Virgin
1405~10. Panel: 43×67 cm
Location: Art Institute, Chicago.
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The deceased woman rests on a vibrant red bed adorned with floral patterns, which contrasts sharply with the pallor of her skin. Her head is tilted slightly, suggesting a peaceful surrender rather than an abrupt demise. She is surrounded by a group of figures who appear to be mourning her death. Their faces are etched with sorrow and concern; some clasp their hands in prayer, others gaze upon her with expressions of profound sadness.
Above the bed, a male figure, presumably Christ, sits enthroned within a radiant halo. He appears to be receiving the soul of the deceased woman, who is being presented to him by two angels flanking his position. This arrangement suggests a transition from earthly life to heavenly existence. The figures surrounding Christ are also enveloped in halos, indicating their sanctity and divine connection.
Below the platform, kneeling figures offer their respects. Their postures convey humility and reverence. The artist has employed a limited palette of colors – predominantly reds, blues, yellows, and greens – which contribute to the painting’s overall solemnity and spiritual intensity. The gold background enhances the sense of otherworldliness and divine presence.
The arrangement of figures suggests a complex interplay between earthly sorrow and heavenly consolation. The scene is not merely a depiction of death but also an exploration of faith, redemption, and the promise of eternal life. The inclusion of both religious figures and mourners blurs the line between the sacred and the secular, inviting contemplation on universal themes of loss and hope. The artist’s deliberate use of perspective and composition creates a sense of depth and emotional resonance, drawing the viewer into the heart of this poignant moment.