Ulrika Fredrika Pasch – Erik Magnus Staël von Holstein (1749-1802)
1796.
Location: National Museum (Nationalmuseum), Stockholm.
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The man’s attire immediately signals status and belonging to a specific social echelon. A rich, dark red velvet coat dominates the composition, its texture meticulously captured through subtle variations in color and brushstroke. Beneath the coat, a glimpse of a white shirt with elaborate lace detailing is visible at the collar and cuffs, further reinforcing an image of refinement and wealth. He wears a decorative ribbon and medal affixed to his chest, likely signifying membership in an order or recognition of some merit. The powdered wig, characteristic of the period, contributes to the overall impression of formality and adherence to contemporary fashion.
The artist’s attention to detail is evident in the rendering of the mans features: the slight curve of his lips, the subtle shading around his eyes, and the delicate texture of his skin all contribute to a sense of realism while maintaining an idealized quality typical of portraiture from this era. The background remains deliberately indistinct, drawing focus entirely onto the subject.
Beyond the straightforward depiction of a man in formal attire, the painting conveys subtexts related to power, lineage, and social standing. The careful presentation suggests a desire for posterity – a wish to be remembered as someone of importance. The formality of the pose and clothing implies adherence to established societal norms and expectations. The overall effect is one of dignified restraint, suggesting an individual who understands his place within a hierarchical structure and presents himself accordingly. The oval frame itself reinforces this sense of containment and controlled presentation, encapsulating the subject within a defined space that symbolizes his social position.