Ulrika Fredrika Pasch – Gustav Adolf Reuterholm (1756-1813)
Location: National Museum (Nationalmuseum), Stockholm.
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Here we see a gentleman rendered with meticulous detail; his skin tone suggests a fair complexion, subtly illuminated by light falling from the left. The artist has paid close attention to rendering the texture of his hair, styled in the elaborate fashion characteristic of the late 18th century – powdered and arranged into curls at the sides and back, with a slight queue extending downwards. This hairstyle alone signals a certain social standing and adherence to contemporary conventions.
His expression is one of restrained composure; a faint smile plays on his lips, conveying an impression of intelligence and perhaps a touch of self-assurance. The eyes are direct, engaging the viewer in a manner that suggests both confidence and accessibility.
The man’s clothing further reinforces his status. He wears a dark blue jacket adorned with gold buttons, indicative of wealth and refinement. A white cravat, loosely tied around his neck, adds to the overall impression of elegance and formality. The fabrics translucence is skillfully captured, creating a sense of volume and texture.
The painting’s subtexts revolve around notions of social hierarchy and personal identity within a specific historical context. The formal pose, elaborate hairstyle, and fine clothing all contribute to an image of a man who occupies a position of privilege and authority. The direct gaze suggests a desire for recognition and perhaps even a subtle assertion of power. The overall effect is one of dignified restraint, characteristic of the aristocratic portraiture prevalent during this period.