Ulrika Fredrika Pasch – Karl XI (1655-1697), King of Sweden
Location: National Museum (Nationalmuseum), Stockholm.
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The man’s expression is reserved; he gazes directly forward with an air of solemnity rather than overt joy or confidence. His features are rendered with a degree of realism, though softened by the conventions of portraiture. The artist has paid particular attention to detailing his hairline, which recedes noticeably, and the slight fullness of his face, suggesting maturity.
He is adorned in elaborate ceremonial attire. A richly embroidered robe, predominantly white with intricate black patterns, drapes over his shoulders. A fur-lined collar adds a layer of opulence and signifies status. The details of the garment – the texture of the fabric, the sheen of the embroidery – are carefully rendered to convey wealth and power. A decorative brooch is visible at the throat, further emphasizing the ceremonial nature of the scene.
The composition adheres to traditional portrait conventions; the figure’s bust occupies most of the frame, allowing for a close examination of his features and attire. The dark background serves not only to isolate him but also to create a sense of depth and grandeur.
Subtly, there is an underlying tension between the formality of the presentation and the mans somewhat melancholic expression. This juxtaposition might suggest a burden of responsibility or a quiet introspection that belies the outward display of power. The receding hairline and the slightly weary look in his eyes could be interpreted as indicators of age and experience, hinting at the challenges inherent in leadership. Overall, the painting conveys an image of authority tempered by a sense of gravity and perhaps even vulnerability.