Ulrika Fredrika Pasch – Lovisa Ulrika (1720-1782), Queen of Sweden, Princess of Preussen, married to King Adolf Fredrik
Location: National Museum (Nationalmuseum), Stockholm.
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Her face displays an expression intended to project composure and authority; the gaze is directed towards the viewer with a measured directness. The skin tone is rendered in pale hues, characteristic of aristocratic portraiture aiming for an idealized representation of beauty. Her hair is styled elaborately into cascading curls, held in place by a delicate tiara adorned with what appear to be jewels. This hairstyle, along with the overall presentation, suggests adherence to contemporary European court fashion.
The woman’s clothing contributes significantly to her regal image. She wears a white gown with intricate lace detailing at the sleeves and neckline, suggesting wealth and refinement. A rich blue cloak, lined with fur, is draped over her shoulders, signifying royal rank and power. The presence of what appears to be a crown or coronet further reinforces this association with royalty.
The artist’s technique demonstrates an interest in capturing texture and detail. The rendering of the lace, the sheen of the jewels, and the softness of the fur are all executed with careful attention. However, there is also a certain degree of formality and rigidity to the style; the brushwork appears somewhat conventional, prioritizing accuracy over expressive freedom.
Subtly, the portrait conveys an image of controlled power and adherence to established social norms. The lack of personal or emotional expression in her face reinforces this sense of distance and authority. The dark background serves not only to highlight the subject but also to create a sense of enclosure, suggesting a woman bound by duty and tradition. The overall effect is one of dignified restraint, intended to project an image of unwavering strength and royal legitimacy.