Ulrika Fredrika Pasch – Ulrika Eleonora dy (1688-1741), Queen of Sweden, married to King Fredrik I
Location: National Museum (Nationalmuseum), Stockholm.
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The artist has rendered the subject’s skin tone with meticulous attention to detail, capturing subtle variations in color and texture. A pale complexion is accentuated by the elaborate coiffure, styled high and adorned with pearls and decorative elements that frame her face. The hair itself appears meticulously arranged, a testament to the conventions of aristocratic portraiture during this period. Her eyes are light-colored and appear somewhat shadowed, contributing to an overall impression of restrained emotion.
The woman’s attire is significant in conveying status and power. A richly embroidered gown peeks from beneath a fur-lined mantle, which is fastened with a large, ornate brooch. The mantle itself suggests royalty or high nobility through its luxurious materials and intricate detailing. The pearls adorning her ears and the tiara further reinforce this impression of elevated rank.
The lighting in the painting is carefully controlled; it illuminates the face and upper body while leaving the background in shadow. This technique draws attention to the subject’s features and clothing, creating a sense of depth and highlighting her importance. The limited color palette – dominated by whites, creams, pale blues, and dark browns – contributes to an atmosphere of formality and solemnity.
Subtly, there is a certain stiffness in the pose that might suggest a deliberate attempt at projecting an image of regal composure rather than genuine warmth or intimacy. While her expression is not overtly stern, it lacks spontaneity, hinting at the constraints placed upon individuals of high standing who were expected to maintain decorum and project an image of unwavering authority. The overall effect is one of dignified formality, designed to convey power, status, and a sense of unapproachable grandeur.