Dominic Serres – Saint Vincents, near West Malling, Kent
c.1779. 32×46
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The foreground is populated by livestock; several cows graze peacefully within a fenced enclosure, while a solitary horse stands further out, closer to the viewer. The presence of these animals suggests an agricultural setting and reinforces the painting’s connection to rural life. A small pond or stream reflects the sky, adding depth and visual interest to the lower portion of the composition.
The landscape is characterized by rolling hills and mature trees, creating a sense of enclosure around the manor house. The artist has employed a muted palette, with earthy tones predominating – greens, browns, and greys – which contribute to the overall feeling of tranquility and stability. Light plays across the scene, illuminating certain areas while leaving others in shadow, adding dimension and volume to the forms depicted.
The composition suggests an idealized view of landed gentry life; a harmonious relationship between human habitation and the natural world is implied. The careful arrangement of elements – the prominent house, the grazing animals, the expansive landscape – conveys a sense of order and prosperity. Theres a subtle suggestion of ownership and dominion over the land, though this isn’t overtly stated. The painting seems to celebrate not just the beauty of the location but also the social standing and economic security associated with it.