Tintoretto Lultima cena, 1592-94, 360x560 cm, San Giorgio M Tintoretto (Jacopo Robusti) (1518-1594)
Tintoretto – Tintoretto Lultima cena, 1592-94, 360x560 cm, San Giorgio M
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Painter: Tintoretto (Jacopo Robusti)
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Tintoretto is a native of Venice, a representative of the late Renaissance school, which is very conventional, however - his work is characterized by a certain style he has developed over the years. For him it is characterized by masterful work with light, fine details, fine elaboration of the faces. Tintoretto was exceptionally talented and worked very quickly, especially when he was working on commission, which sometimes made his pictures sloppy.
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Description of Jacopo Tintoretto’s The Last Supper
Tintoretto is a native of Venice, a representative of the late Renaissance school, which is very conventional, however - his work is characterized by a certain style he has developed over the years. For him it is characterized by masterful work with light, fine details, fine elaboration of the faces.
Tintoretto was exceptionally talented and worked very quickly, especially when he was working on commission, which sometimes made his pictures sloppy. This was by no means the case with The Last Supper, however.
The painting depicts the moment in which Christ breaks bread, saying "This is my body. In the cozy company of disciples one senses surprise, but not fear-they are used to the strange words of the teacher, they are not frightened by what he says, they just don’t really understand him.
They glance over, wary of taking the bread that has been so said. And all around them the usual poor tavern continues quietly with life. The maids deliver the food, two visitors argue at the door, the owner says something to the cook, and everyone goes about his business. They are not interested in what is going on right under their noses. They don’t see the angelic light, they don’t see the thin, glowing halos above the heads of the people sitting at the table.
To them it is just an ordinary group of friends who have come to celebrate Easter. A cat climbs into a basket of fish, unaware that the man breaking bread is a god born female. A dog chews on a bone, unaware that he will one day be resurrected. The half-dark tavern, seemingly limitless because of the gloom, holds a real miracle, but no one notices it. And the angels hover over the table unnoticed, and the light of the lamp under the ceiling seems to all to be mere light, not heavenly radiance.
Judas, sitting alone at the edge of the table, is not illuminated by this glow, and is thus separated from the rest. He is already a traitor and is already thinking about his thirty pieces of silver.
"The Last Supper" shows that subtle moment when a miracle happens, remaining unnoticed until the moment.
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Light plays a crucial role in shaping perception. A brilliant, almost blinding light emanates from above and behind the central figure seated at the table’s head. This illumination casts deep shadows across the faces and bodies of those present, creating a stark contrast that heightens emotional intensity. The source of this light is not clearly defined; it seems to originate from an ethereal realm, suggesting a divine presence or intervention.
The central figure, distinguished by his blue robes and halo-like glow, commands attention. He appears calm amidst the surrounding activity, yet his gaze holds a certain solemnity. Around him are arranged numerous other individuals, their expressions ranging from contemplative to anxious, some seemingly oblivious to the significance of the moment. The artist has rendered them with varying degrees of detail, emphasizing the diversity of human reaction in the face of an extraordinary event.
The lower portion of the scene is populated by figures engaged in serving and preparing food. Their actions are depicted with a sense of urgency and realism, grounding the otherwise elevated narrative within a tangible setting. A dog lies near their feet, adding to the overall impression of everyday life intruding upon a sacred occasion.
Architectural elements frame the scene, though they are partially obscured by swirling clouds or smoke that further contribute to the dramatic atmosphere. These architectural details suggest a space of considerable grandeur and importance, reinforcing the solemnity of the event being depicted. The floor is patterned with geometric designs, adding visual complexity and drawing the eye across the composition.
Subtleties within the painting hint at deeper meanings. The contrast between light and shadow could symbolize the struggle between faith and doubt, or perhaps the transition from earthly existence to a higher spiritual plane. The varied expressions of the figures suggest the individual nature of belief and experience. The inclusion of everyday details like the dog serves to humanize the narrative, reminding viewers that even in moments of profound significance, life continues with its mundane routines. Overall, the work conveys a sense of impending change or revelation, leaving the viewer to contemplate the meaning behind this extraordinary gathering.