Samuel Lister (1815–1906), Baron Masham John Collier (1850-1934)

The portrait presents a gentleman seated in a substantial wooden chair within a room paneled with dark wood. He is depicted from the waist up, facing slightly towards the viewers left. His expression is one of quiet authority and perhaps mild amusement; his gaze is direct but not confrontational. A neatly trimmed white beard and mustache frame a face marked by age, yet retaining an air of vitality.
The man’s attire suggests considerable wealth and status: a dark suit with a patterned waistcoat, complemented by a tie and chain visible at the throat. The chair itself appears to be carved from heavy timber, reinforcing the impression of established position. To his right, positioned prominently in the foreground, is a complex piece of machinery – a textile loom, seemingly operational. His hand gestures towards it, as if presenting or explaining its function.
The background is largely obscured by the dark wood paneling, which creates a sense of depth and enclosure. The lighting is focused on the gentleman, highlighting his features and clothing while leaving the surrounding space in relative shadow. This concentrated illumination draws attention to him as the central figure.
Subtly, the presence of the loom introduces themes of industry and innovation. It’s not merely an object; its a symbol of the man’s profession or involvement in manufacturing. The gesture towards the machine suggests a connection between his identity and this technological advancement – perhaps indicating his role as an inventor, entrepreneur, or significant figure within the textile industry. The overall composition conveys a message of prosperity, experience, and contribution to progress through industrial means. It is a portrait designed not only to record likeness but also to communicate status and achievement.