John Collier – Mrs Mortimer Collier and Family
1880. 131 x 222 cm
Location: Art Gallery, Plymouth.
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Two children are positioned on the sofa near her, their faces illuminated by what seems to be a projected image – a shadow play or magic lantern show – emanating from behind a screen. The boy holds a piece of fabric that obscures part of the projection, while the girl gazes intently at it with an expression of rapt attention. Their proximity to the woman suggests familial connection and shared experience, yet their focus is directed outward, away from her.
The room itself is richly appointed, hinting at comfortable affluence. A heavy curtain partially conceals a window, allowing a soft glow to enter the space. The furniture appears substantial and well-maintained, contributing to an overall impression of domestic stability. A discarded fur wrap lies on the sofa near the woman’s feet, adding a touch of casual luxury.
The subtexts within this scene are complex. The projected image introduces an element of fantasy and entertainment into what would otherwise be a conventional portrayal of family life. It suggests a desire for escape or distraction from everyday realities. The womans detached demeanor could be interpreted as maternal fatigue, resignation to domestic duties, or perhaps even a subtle commentary on the role of women in Victorian society – observing the lives of others while remaining somewhat removed from them.
The interplay between light and shadow is significant; it creates an atmosphere of mystery and intimacy. The darkness surrounding the scene emphasizes the illuminated figures and draws attention to their interaction with the projected image, further isolating the woman within her own space. The painting seems to explore themes of family dynamics, domesticity, and the allure of spectacle, all while subtly questioning the expectations placed upon women in a particular social context.