Frederick Cayley Robinson – The Day of Rest
c.1926
Location: Bury Art Museum, Bury.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The color palette is muted and dominated by cool tones – greens, blues, and grays – which contribute to a melancholic atmosphere. The light source appears to be both internal (the lamp illuminating the table) and external (the diffused twilight filtering through the window). This interplay of illumination creates a sense of ambiguity and dreamlike quality.
The window acts as a crucial compositional element, simultaneously separating and connecting the interior world with the exterior landscape. Through it, we see a sailing ship anchored in calm waters under a crescent moon. The horizon line is low, emphasizing the vastness of the sea and sky. This external scene seems to exist at a different temporal plane than the domestic activity within the room; it suggests a sense of longing or remembrance.
The subtexts embedded within this painting are complex. The presence of the older man engrossed in his reading could signify reflection on past experiences, perhaps related to seafaring given the view from the window. The young boy and woman engaged in a simple domestic ritual might represent continuity and tradition, offering a counterpoint to the man’s introspection. The dogs quiet observation adds a layer of understated companionship.
The overall impression is one of stillness and solitude, tinged with a subtle sadness. It evokes themes of memory, time passing, and the contrast between personal experience and the broader world. The painting seems to explore the delicate balance between domestic tranquility and the weight of history or loss.