lrs Wiggins Kim Diade Pascua Kim Wiggins

The composition presents a stylized aerial view of what appears to be a small town or settlement nestled within a landscape dominated by undulating hills and dense foliage. The perspective is unusual; its not strictly from above but rather at an oblique angle that distorts spatial relationships, creating a dreamlike quality.
A prominent structure, rendered in warm orange and white tones, occupies the central foreground. Its form is complex, suggesting a combination of architectural elements – perhaps a church or public building – with a roofline that curves dramatically upward. A cross atop this edifice signifies its potential religious significance within the community depicted. The surrounding buildings are simplified into geometric shapes, primarily blues and pinks, indicating residential or commercial spaces.
The landscape is characterized by stylized trees with thick, swirling trunks and dense canopies, which frame the town and contribute to a sense of enclosure. A winding road snakes through the scene, connecting various parts of the settlement and suggesting movement and interaction within the community. Small figures are scattered throughout the composition – some appear to be walking along the road, others gathered near buildings – indicating human presence and activity.
The color palette is vibrant and saturated, with a strong contrast between warm and cool tones. The use of light and shadow is stylized rather than realistic, contributing to the painting’s overall sense of unreality. Theres an intentional flattening of depth; forms overlap without clear spatial separation, which enhances the decorative quality of the work.
Subtextually, the painting seems to explore themes of community, faith, and the relationship between humanity and nature. The stylized representation suggests a utopian or idealized vision of rural life, where buildings blend harmoniously with the landscape and people coexist peacefully. However, the distorted perspective and unusual color choices also introduce an element of ambiguity, hinting at a possible underlying tension or surreal quality within this seemingly idyllic setting. The deliberate simplification of forms could be interpreted as a commentary on the loss of individuality in modern society, or perhaps a celebration of collective identity.