Simon Peter Tilemann – A Roman Triumphal Parade
1641.
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The procession itself seems to involve a captive group being led forward. These figures are depicted in various states of undress or restraint, suggesting they represent conquered peoples or prisoners of war. A man with a distinctive red garment stands out among them, his posture conveying a sense of dignified resignation rather than overt distress. The artist has placed several other individuals near him, some appearing to be attendants or guards, while others seem to observe the spectacle with expressions ranging from curiosity to indifference.
The background reveals a cityscape characterized by high walls and towers, indicating a substantial urban center. A crowd gathers within this space, their faces partially obscured but contributing to the overall sense of public display and celebration. The artist’s use of perspective creates depth, drawing the viewers eye towards the distant horizon where the city fades into a hazy landscape.
The painting conveys themes of power, conquest, and subjugation. The elaborate procession and the regal bearing of the seated figures underscore the triumph of one group over another. However, the presence of the captive individuals introduces an element of pathos, hinting at the human cost of victory. The subdued expressions on some faces within the crowd suggest a complex emotional response to the event – a mixture of pride, spectacle, and perhaps even unease. The composition’s scale and detail imply that this is not merely a depiction of a single moment but rather an attempt to capture the grandeur and significance of a historical or mythological triumph.