Simon Peter Tilemann – A Roman Battle
1641.
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has arranged numerous figures in varying states of action and repose. Several soldiers are engaged in close-quarters combat, wielding swords and spears with evident ferocity. A significant number lie fallen on the ground, their postures indicating defeat or death. The arrangement of these bodies contributes to a sense of overwhelming loss for one side.
The background is less detailed but establishes a setting that appears to be a hilly landscape, possibly representing a frontier region or contested territory. Distant structures, resembling fortifications or settlements, are visible on the horizon, hinting at the strategic importance of the battleground. The use of atmospheric perspective creates depth and suggests a vastness to the conflict.
The color palette is dominated by warm tones – reds, yellows, and browns – which amplify the intensity of the scene and evoke feelings of violence and bloodshed. Contrasting with these are cooler blues and whites used for some garments and highlights on armor, providing visual relief but not diminishing the overall sense of turmoil.
Beyond a straightforward depiction of battle, the painting seems to explore themes of power, leadership, and the human cost of warfare. The prominent figure on horseback may symbolize Roman dominance or imperial ambition, while the fallen soldiers represent the sacrifices made in pursuit of that power. There’s an underlying suggestion of brutality inherent in military conquest; the artist doesnt shy away from portraying the visceral reality of combat. The composition encourages a contemplation of the consequences of conflict and the fragility of victory.