The last ray # 12 Last beam (Burning sky) Roerich N.K. (Part 4)

Here we observe a landscape composition dominated by layered mountain ranges receding into the distance. The artist has employed a simplified, geometric approach, reducing natural forms to angular planes and blocks of color. A striking contrast exists between the cool blues and purples that define the lower and middle ground mountains, and the warm reds and yellows illuminating the peaks in the background.
The sky is rendered as a broad expanse of crimson, suggesting either sunset or an atmospheric phenomenon like wildfire smoke. This intense coloration contributes to a sense of drama and unease. The light itself appears not to emanate from a singular source but rather seems diffused across the upper mountain ridges, creating a generalized glow.
The painting’s composition is structured around a series of overlapping planes, which creates an illusion of depth while simultaneously flattening the perspective. This technique emphasizes the formal qualities of shape and color over realistic representation. The absence of any human presence or signs of civilization reinforces the feeling of isolation and vastness inherent in the natural world.
Subtexts within this work suggest themes of elemental power and perhaps even impending doom. The burning sky alluded to in the title evokes a sense of destruction, while the stark geometry could be interpreted as symbolizing an impersonal, almost indifferent universe. The color palette, particularly the juxtaposition of warm and cool tones, generates a palpable tension that invites contemplation on humanitys place within a larger, potentially hostile environment. It is possible to read this painting as a meditation on the sublime – the awe-inspiring and terrifying aspects of nature.