Path to Shambhala # 96 Roerich N.K. (Part 4)
Roerich N.K. – Path to Shambhala # 96
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Location: Nicholas Roerich Museum of the United States. New York
The artist managed to combine in one work several ideas, intentions at once. The first thing we see when we look at this picture is mountains. For Nicholas Roerich the mountains were sacred creations of nature itself. He was sure that they concealed a great secret that would help all mankind. The painting "The Way to Shambhala" is part of a series of works devoted to the Himalayas. Roerich and his wife spent many years traveling through India, China, Tibet.
Description of Nikolai Roerich’s painting "The Way to Shambhala
The artist managed to combine in one work several ideas, intentions at once. The first thing we see when we look at this picture is mountains. For Nicholas Roerich the mountains were sacred creations of nature itself. He was sure that they concealed a great secret that would help all mankind. The painting "The Way to Shambhala" is part of a series of works devoted to the Himalayas. Roerich and his wife spent many years traveling through India, China, Tibet. And everywhere they went, he saw mountains. They are what inspired Roerich to write this work.
But beyond the image of mountains, we see a hidden message that is encapsulated in the title of the work, The Road to Shambhala. During his travels in Asia, Roerich learned about the magnificent state of Shambhala. It is not on the map, no one knows where it is. All mentions of this mysterious country Roerich learned from books and legends. It is believed that if you find Shambhala, then humanity will gain great knowledge. It is this legend and tried to portray the master on the canvas.
It is believed that the entrance to the lost and forgotten country is located inside Mount Kanchenjunga. It was probably this mountain that the artist chose to portray. In this way, it is as if the artist is bringing us closer to the great clue. We look at the mountains, and we understand that they hide a great mystery, which will soon be revealed.
Nikolai Roerich, when writing this work, decided to move away from the usual cold palette. Here we see that the cold colors are combined with a warm range of colors. But there is no contrast. The colors blend together perfectly, blending and harmoniously conveying the amazing hues of the Himalayas.
The mountains in the foreground are very dark, almost black. The sunlight does not reach them. A little further away, beyond the large ocean of fog, is the very same Mount Kanchenjunga. The mountain’s summit is gently illuminated by the glowing sun. The mountain shines, beckons and draws the eye. By depicting the sun’s glow, the artist wanted to show that this mountain was the key to solving the mysteries.
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The picture has something of this: pastel, wear, landscape, snow, people, artistic, desert, mountain, outdoors, paper, winter.
Perhaps it’s a painting of a mountain range with a bright orange light on the top of the mountain in the distance is a body of water.