Roerich N.K. – Armageddon
1936. Canvas, tempera. 92 x 122 cm.
Location: The State Museum of Oriental Art, Moscow (Государственный музей искусства народов Востока).
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These structures appear to be remnants of a once-grand city, now partially submerged in the cloud cover. The buildings are angular and blocky, suggesting a rigid, perhaps even oppressive, societal order. Their placement atop rocky outcroppings implies an attempt at defiance against natural forces or a precarious existence. A prominent tower rises from one of these peaks, its silhouette sharp against the sky, possibly symbolizing authority or aspiration.
In the foreground, dark, indistinct figures are positioned along the base of the scene. They appear to be observing the ruined city and the fiery sky above, their forms lacking detail, suggesting anonymity or a collective experience of witnessing devastation. Their posture is difficult to discern precisely, but they seem to be in a state of contemplation or perhaps mourning.
The color palette contributes significantly to the overall mood. The warm tones evoke feelings of intensity, danger, and destruction, while the dark silhouettes create a sense of mystery and foreboding. The limited use of cooler colors reinforces the feeling of heat and chaos.
Subtextually, the painting seems to explore themes of societal collapse, loss, and the fragility of human endeavors in the face of overwhelming forces. The ruined city could represent the downfall of civilization or the consequences of hubris. The figures in the foreground might symbolize humanity’s role as witness to its own destruction or a potential for rebuilding amidst the ruins. The fiery sky suggests not only physical devastation but also an emotional and spiritual crisis. Overall, the work conveys a powerful sense of melancholy and the weight of witnessing catastrophic events.