Roerich N.K. – Abdal-Muttalib is looking for water. Zamzam # 223 Abd al-Muttalib is looking for water (Khosrov and Shirin)
1938. Canvas, tempera. 46.7 x 79.5 cm.
Location: The State Museum of Oriental Art, Moscow (Государственный музей искусства народов Востока).
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The background is dominated by layered mountain ranges rendered in varying shades of brown and blue, creating a sense of depth and scale. The horizon line is relatively low, emphasizing the expansive nature of the terrain. A flat, ochre-colored plain stretches out before the figure, devoid of any vegetation or signs of life beyond his presence and that of the accompanying animal.
The color palette is restrained, primarily utilizing earth tones – browns, yellows, and muted blues – which contribute to a feeling of desolation and aridity. The limited use of brighter colors draws attention to the central figure and reinforces the sense of isolation within this environment.
Subtly, the painting conveys themes of perseverance and divine guidance. The man’s determined posture suggests an ongoing quest or struggle, while the presence of the animal could be interpreted as a symbolic guide or omen – a recurring motif in narratives involving journeys and revelations. The barrenness of the landscape underscores the difficulty of his task, highlighting the reliance on faith or supernatural intervention to overcome adversity.
The artist’s choice to depict a solitary figure within such an immense space evokes feelings of vulnerability and dependence. It implies that the individuals journey is not merely physical but also spiritual – a search for something essential beyond the immediate surroundings. The overall effect is one of quiet contemplation, inviting reflection on themes of faith, resilience, and the enduring human need for sustenance, both literal and metaphorical.