Part 1 Prado museum – Giordano, Luca -- Muerte del centauro Neso
1697, 114 cm x 79 cm, Lienzo, Óleo. Luca Giordano
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Есть картина "Битва лапифов с кентаврами", где люди из племени лапифов отбивают своих женщин у кентавров. А почему нет картин, где кентаврессы похищают для себя мужчин? У Несса, поди, тоже была жена...
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The background is layered, receding into a misty distance where a small structure can be discerned amongst the trees. A group of figures, seemingly onlookers, are visible further back in the landscape, their presence suggesting that this event is not isolated but witnessed by others.
Dominating the upper portion of the canvas is an angelic figure descending from the sky. The angel’s posture and gesture – holding a branch or staff aloft – imply a role of judgment or perhaps divine intervention. The light emanating from the angel creates a stark contrast with the darker tones of the foreground, drawing immediate attention to this celestial presence.
The artist employs a dynamic arrangement of forms, utilizing diagonal lines created by the fallen figure and the sloping terrain to generate visual movement and tension. The use of chiaroscuro – the interplay of light and shadow – heightens the drama and emphasizes the emotional intensity of the moment. The color palette is rich and warm, with earth tones dominating the landscape while vibrant reds and blues are reserved for the figures involved in the central action.
Subtly, the scene seems to explore themes of mortality, compassion, and divine justice. The wounded man’s suffering evokes empathy, while the womans gesture suggests a complex relationship – perhaps one of love, duty, or regret. The angel’s presence introduces an element of moral reckoning, hinting at consequences for actions taken. The distant figures imply that this event carries significance beyond the immediate participants, resonating with broader societal implications.