Part 1 Prado museum – Carracci, Ludovico -- La Oración en el Huerto
1590 1600, 48 cm x 45 cm x 2 cm, Lienzo, Óleo. Ludovico Carracci
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
These lower figures are rendered in considerably less detail, their faces largely obscured by darkness and bowed postures. They seem to represent a group engaged in some form of lamentation or despair, their bodies slumped and their expressions unreadable. The limited visibility contributes to an atmosphere of collective suffering and helplessness. A sense of distance is created between the kneeling figure and this group, emphasizing his isolation within the narrative.
Above him, a celestial presence manifests as a grouping of putti – winged infants – who appear to offer solace or perhaps witness the unfolding drama. One holds aloft a chalice, an object laden with symbolic significance related to sacrifice and redemption. The light emanating from these figures is not uniform; it’s diffused and ethereal, creating a sense of otherworldly grace that contrasts sharply with the earthly gloom below.
The background is dominated by dense foliage rendered in deep blacks and browns, further intensifying the contrast between light and dark. This darkness serves to both conceal and emphasize elements within the scene, contributing to an overall feeling of mystery and foreboding. The artist’s use of a limited palette – primarily earth tones punctuated by flashes of gold and white – reinforces this sense of solemnity and spiritual weight.
Subtly, theres a suggestion of movement throughout the composition. The swirling clouds, the bowed heads of the figures below, and even the positioning of the putti all contribute to a dynamic visual flow that guides the viewer’s eye towards the central figure and his moment of profound emotional distress. The painting seems to explore themes of sacrifice, divine grace, and human suffering, inviting contemplation on the nature of faith and redemption.