Anónimo (Copia Velasco, Luis de) – La Virgen y el Niño con San Jerónimo, San Francisco, San José, San Agustín y don Fernando de Antequera Part 1 Prado museum

The composition presents a complex devotional scene arranged within what appears to be an architectural niche or alcove. At its center sits a figure identified as the Virgin Mary, seated and holding an infant – likely representing Christ – in her arms. The child grasps a small plant, possibly symbolizing innocence or new life. Mary’s expression is serene, conveying a sense of maternal tenderness and spiritual contemplation.
Flanking her are several male figures, each identifiable through their attire and gestures. To the left stands a man in monastic robes, his hands clasped in prayerful reverence. Adjacent to him, a figure dressed in armor kneels, offering what seems to be an act of submission or homage. This individual’s presence suggests a connection between religious devotion and secular authority. Further to the right, another cleric, distinguished by his elaborate ecclesiastical vestments, holds aloft a ceremonial object – perhaps a chalice or reliquary – and gestures towards Mary and the Christ Child. A bearded figure stands behind Mary, seemingly observing the scene with an expression of solemnity.
Above this group, within the architectural framework, are depicted several angelic figures, their forms rendered in soft light and delicate brushwork. They appear to be engaged in a celestial chorus or act of adoration. The upper portion of the composition is framed by a dark curtain, which creates a sense of depth and draws attention towards the central figures.
The painting’s subtexts are layered and potentially indicative of specific patronage or theological concerns. The inclusion of the armored figure suggests an attempt to reconcile religious piety with the responsibilities of leadership or military service. His kneeling posture implies a recognition of divine authority and a plea for blessing or protection. The presence of multiple saints – discernible through their habits and attributes – indicates a desire to invoke intercession from various holy figures. The architectural setting, with its implied depth and grandeur, elevates the scene beyond a simple portrait, transforming it into a symbolic representation of faith and divine grace. The overall effect is one of solemnity, reverence, and an attempt to visually articulate complex relationships between spiritual ideals and earthly power.