Part 1 Prado museum – Parrasio, Michele -- Cristo yacente, adorado por el papa San Pío V
1572 1575, 42 cm x 30 cm, Lámina de cobre, Óleo.
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Flanking this central figure are several angelic beings. They appear in a dynamic arrangement, some descending from above amidst swirling clouds, others positioned closer to the deceased, their gestures conveying reverence and solemnity. Their garments exhibit a vibrant palette of yellows and blues, contrasting with the muted tones of the earthly scene below. The artist has employed light to highlight their ethereal nature, creating an impression of divine presence.
To the right of the reclining figure stands a man in elaborate ecclesiastical vestments – a cardinal’s robes of deep red, signifying high office within the Church. He is shown kneeling, his hands pressed together in prayer or supplication. His face conveys a mixture of grief and profound devotion. The positioning of this figure suggests an act of veneration, perhaps even intercession.
The lower portion of the painting contains a Latin inscription, adding another layer to the work’s meaning. It appears to be a biblical quote referencing mortality and redemption.
The overall effect is one of intense emotional weight. The artist has skillfully combined realism with idealized forms, creating an image that aims to evoke both sorrow and spiritual comfort. The inclusion of the cardinal figure suggests a deliberate attempt to connect the divine event depicted with contemporary authority and piety. The composition’s structure – the horizontal line of the body contrasting with the verticality of the angels and the cardinal – creates a sense of balance while simultaneously emphasizing the gravity of the scene.