Part 1 Prado museum – Reni, Guido -- Hipómenes y Atalanta
1618 1619, 206 cm x 297 cm, Lienzo, Óleo. Guido Reni
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The female figure lies in an unbalanced position, her body twisting as if caught off guard. Her head is turned downwards, obscuring her expression, while one arm reaches out, seemingly for support or to resist the man’s grasp. A white cloth clings to her form, revealing a portion of her torso and contributing to the sense of vulnerability and precariousness in her position. The artist has rendered her skin with a pale luminosity that contrasts sharply with the darker tones surrounding her.
The background is indistinct, composed primarily of muted browns and greens, suggesting a dense forest or hillside. A small group of figures can be discerned further back, seemingly observing the scene unfolding before them; their presence hints at an audience or witnesses to this dramatic encounter. The limited depth of field concentrates attention on the two central figures and amplifies the intensity of their interaction.
Subtleties within the work suggest a narrative beyond the immediate physical struggle. The man’s determined gaze and forceful grip imply a pursuit, while the womans posture conveys a sense of loss or defeat. The contrasting colors – the vibrant red of his cloth against her pale skin and white drapery – could symbolize opposing forces or desires. The presence of onlookers suggests a public spectacle, perhaps a competition or a test of skill and endurance. Overall, the painting evokes themes of desire, pursuit, vulnerability, and the consequences of ambition, leaving room for interpretation regarding the precise nature of their relationship and the stakes involved in their encounter.