Part 1 Prado museum – Goya y Lucientes, Francisco de -- Carlos IV
1789, 203 cm x 137 cm, Lienzo, Óleo. Francisco de Goya y Lucientes
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see an elaborate red coat, embroidered with intricate gold detailing, paired with pale stockings and black shoes. A blue sash crosses his chest, adorned with medals and a large decorative cross, signifying high rank. A crown rests on a cushion draped over the background, further emphasizing his royal status. He holds a walking stick in his right hand, which is positioned casually, yet deliberately, adding to an impression of relaxed power.
The man’s face dominates the composition. His expression is complex – theres a hint of melancholy or resignation visible around the eyes and mouth. The skin appears somewhat pallid, suggesting age and perhaps ill health. The lighting focuses primarily on his face and upper torso, leaving the lower portion in shadow, which contributes to a sense of depth and mystery.
Subtleties within the painting suggest more than just a straightforward depiction of royalty. The slightly awkward positioning of the figure, coupled with the somewhat somber expression, hints at underlying anxieties or uncertainties. The dark background seems to press in on him, creating an atmosphere that is less celebratory and more introspective. The crown, while signifying power, appears almost detached from the man himself, suggesting a disconnect between his position and perhaps his personal feelings about it. Theres a sense of formality bordering on stiffness, which could be interpreted as a commentary on the constraints of royal duty or a subtle critique of the courtly environment. The overall effect is one of dignified weariness rather than triumphant grandeur.