Part 1 Prado museum – Bassano, Francesco -- La Virgen María en el Cielo
Segunda mitad del siglo XVI, 175 cm x 140 cm, Lienzo, Óleo.
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COMMENTS: 3 Ответы
Собственно, здесь нет Вознесения Девы Марии
А Что-разве название картины указывает на это?
Чудесная работа, оригинальная трактовка автором сцены встречи Девы Марии, Иисуса и Бога-отца
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Below this central grouping, a more earthly scene unfolds. A cluster of figures is arranged around a man gesturing with an object resembling a palm branch. Their expressions range from attentive listening to quiet observation, indicating a moment of instruction or revelation. The clothing worn by these individuals suggests diverse social and religious affiliations; monastic habits are prominent alongside secular attire, hinting at a confluence of spiritual and societal spheres.
Framing the main scene are smaller vignettes set within recessed panels. These subsidiary narratives depict additional figures in various settings – some appear to be engaged in processions or ceremonies, while others seem to be observing from architectural arcades. The inclusion of these peripheral scenes expands the scope of the narrative beyond the immediate central action, implying a broader context of faith and community.
The color palette is characterized by warm earth tones – browns, reds, and ochres – which contribute to a sense of solemnity and tradition. Light plays a crucial role in defining the composition; it emanates from the upper register, illuminating the enthroned figure and casting dramatic shadows across the lower scene. This contrast reinforces the hierarchical structure of the work, separating the divine realm from the human one.
Subtly embedded within this visual arrangement are suggestions of communal identity and shared belief. The repetition of certain garments and gestures among the figures implies a sense of belonging and collective experience. The presence of books and religious symbols further underscores the importance of faith and learning in the depicted community. Overall, the painting conveys a complex interplay between the sacred and the secular, portraying a moment of spiritual significance within a larger social framework.