Part 1 Prado museum – Bassano, Leandro -- La Coronación de espinas
1594, 54 cm x 49 cm, Pizarra, Óleo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Around him cluster several figures engaged in acts of mockery and cruelty. Soldiers, clad in varying degrees of armor – some fully armored, others with helmets askew – surround him, their expressions ranging from amusement to outright derision. One soldier actively places the crown upon his head, while another holds a reed, seemingly poised to strike. The artist has rendered these figures with a degree of realism that emphasizes their callousness; their faces are individualized and expressive, contributing to an atmosphere of palpable tension.
A smaller figure, presumably a child, is positioned near a brazier or small fire, his face illuminated by the flickering light. He appears to be involved in some task related to the scene, perhaps tending to the fire or observing the proceedings with a mixture of curiosity and apprehension. This inclusion introduces an element of innocence juxtaposed against the brutality unfolding before him.
The lighting is dramatic and selective. A single source of illumination, positioned high above and slightly to the right, casts harsh shadows across the figures and walls, intensifying the sense of confinement and highlighting the suffering of the central figure. The darkness that pervades much of the scene serves not only to create atmosphere but also to obscure details, suggesting a hidden narrative or a deeper psychological complexity.
The composition is tightly organized, with the figures arranged in a dynamic interplay of gestures and gazes. This arrangement draws the viewer’s eye towards the central figure while simultaneously emphasizing the surrounding acts of humiliation. The scattered objects on the ground – tools, discarded garments, and fragments of debris – contribute to the overall sense of disorder and degradation.
Subtly, the painting explores themes of power, suffering, and human cruelty. It is not merely a depiction of physical torment but also an examination of the psychological dynamics at play between oppressor and oppressed. The presence of the child suggests a commentary on the corrupting influence of violence and the loss of innocence in the face of injustice. The overall effect is one of profound emotional intensity, inviting contemplation on the darker aspects of human nature.