1931 La lampe Pablo Picasso (1881-1973) Period of creation: 1931-1942
Pablo Picasso Period of creation: 1931-1942 – 1931 La lampe
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I love Picasso!
* * *
Following my hearts drama,
I fly to a bygone era, wild and free,
To walk the streets of Paris,
And immerse myself in the world of Impressionism.
I will soak up your atmosphere,
Like wealthy visitors from back then,
Even though I have no money at all,
But it calls to me – my soul.
I will wander through those sacred streets
And blend into the spirit of that old tavern,
I will be on Montmartre, in this bright monster,
What he was then – an unrecognized star.
You were all there, in this place,
With your creative diaspora,
There we created with romantic thoughts,
Forgetting our hard and deaf life.
And then Ill rush to Montparnasse,
Spreading out over the entire neighborhood of that past,
I will spin a wild night of freedom,
Lost, like all of them, soul.
I dont need the wings of red windmills,
Of mad people jumping in a row,
Where ordinary, neatly arranged priestesses
Receive a steady fee.
I just want to breathe the air of that era,
To swallow your creative passion,
Where you wrote your masterpieces,
Just let me stand behind you for a moment.
I will run through the cafes of Paris,
Where you lived a vibrant life,
Sit quietly in La Rotonde,
Have tea with you by chance.
And Im going to be at La Closerie des Lilas,
Im taking the model from the Pigalle square for myself,
I will spin with her the power of free colors,
So that I remember everything, so that I dont forget anything.
And I will soar high above this center of the world
And lose myself for a day or two,
To realize how beautiful it all was,
To take all those feelings back with me.
You cannot comment Why?
The figure’s head is framed by dark, sweeping lines that suggest hair or a hood, while a pale, almost luminous neck emerges from this darkness. A vine with three-leafed plants intertwines around the figures face and body, its green foliage providing a stark contrast to the predominantly muted color palette of blacks, browns, yellows, and creams. The placement of these leaves seems deliberate; they partially obscure the face, creating a sense of enclosure or confinement.
The background is structured by vertical planes that evoke architectural elements – perhaps window frames or partitions – further reinforcing the feeling of being observed or contained within a defined space. A small, indistinct object resembling a lamp hangs suspended near the figure’s shoulder, its presence adding an element of ambiguity and potential symbolism. It could represent illumination, knowledge, or even surveillance.
The paintings subtexts revolve around themes of identity, perception, and confinement. The fragmented representation challenges conventional notions of portraiture, suggesting a deconstruction of selfhood. The vine motif might symbolize nature’s encroachment upon the human form, or perhaps an attempt to bind or restrain it. The overall effect is one of psychological complexity; the figure appears both vulnerable and defiant, trapped within a constructed environment while simultaneously asserting its presence through an unsettling gaze. The limited color range contributes to a somber mood, amplifying the sense of isolation and introspection.