Giuseppe Bazzani (attr.) – Apollo (Phoebus)
~1750. 118×113 cm, Oil on canvas
Location: Mead Art Museum, Amherst College, Amherst.
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The horses are depicted with expressive heads and powerful builds, their forms contributing significantly to the overall sense of movement. Their coloring is predominantly white or pale grey, contrasting against the dark background which seems to swirl around them, creating a dramatic atmosphere. The artist employed loose brushwork, particularly evident in the rendering of the horses’ manes and tails, adding to the feeling of energy and fluidity.
The limited palette – primarily consisting of browns, golds, blacks, and whites – contributes to a sense of grandeur and solemnity. The dark background serves not only as a backdrop but also intensifies the luminosity of the figure and the horses, drawing attention to their forms.
Subtly, there’s an implication of power and control. The mans posture and action suggest mastery over the animals, hinting at dominion or divine authority. The bow, a traditional symbol of skill and precision, reinforces this notion. The swirling darkness surrounding them could be interpreted as representing chaos or challenge, which the figure appears ready to confront. The overall impression is one of controlled energy and impending action, evoking themes of strength, vigilance, and perhaps even conflict.