На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The river itself is rendered as a series of undulating lines, suggesting movement and fluidity. Along its banks, dense vegetation rises in vertical strokes – tall grasses interspersed with clusters of flowering plants. These elements are not depicted realistically; instead, they appear as simplified forms, contributing to an overall decorative effect. The artist has used repetitive patterns within the foliage, creating a rhythmic visual texture.
A large, curved shape occupies the left side of the painting. Its pale color and ambiguous form suggest a structural element – perhaps a building or architectural feature – but its lack of detail prevents definitive identification. It acts as a compositional counterweight to the dynamism of the river, introducing an element of stillness and enclosure.
The framing device around the scene is notable. A thick, rectangular border with rounded corners defines the edges of the composition, further emphasizing the stylized nature of the work. The top edge features a small, triangular projection, adding a subtle decorative touch.
Subtly, there’s an interplay between natural and constructed elements. While the river and vegetation evoke a sense of organic growth, the geometric shapes and rigid lines suggest human intervention or design. This juxtaposition hints at a possible commentary on the relationship between humanity and nature – perhaps suggesting a desire to impose order upon the wildness of the landscape, or conversely, an appreciation for the beauty found in both natural and artificial forms. The overall effect is one of serene contemplation, achieved through simplified shapes, controlled color, and deliberate composition.