Louis Leopold Boilly – The Movings
1822. 73×92 cm
Location: Art Institute, Chicago.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has positioned the viewer along a street lined with buildings of varying heights and architectural styles. A monumental dome rises prominently in the background, suggesting an institutional or public structure – perhaps a church or government building – which contrasts sharply with the more modest dwellings surrounding it. This juxtaposition highlights the disparity between established power and the lives of those depicted as being uprooted.
The figures themselves are rendered with considerable detail, revealing their worn clothing and expressions of fatigue and resignation. A woman in a white garment stands out due to her lighter attire and posture; she appears to be observing the scene with a mixture of concern and perhaps quiet dignity. The men surrounding the cart display a range of emotions – some appear stoic, others weary, suggesting a collective burden being borne. A dog wanders near the group, adding a touch of domesticity amidst the upheaval.
The light in the painting is soft and diffused, creating an atmosphere of melancholy rather than drama. It illuminates the dust kicked up by the horses’ hooves, further emphasizing the disruption caused by this relocation. The artists use of perspective draws the eye towards the background dome, implying a sense of loss or displacement from a familiar place.
Subtly embedded within the scene are hints of social commentary. The depiction of working-class individuals being moved suggests themes of poverty, urbanization, and the impact of societal changes on vulnerable populations. The painting doesnt offer an overt critique but rather presents a poignant snapshot of lives disrupted by forces beyond their control. It invites contemplation about the human cost of progress and the fragility of belonging within a rapidly evolving urban landscape.