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Here we see an earthy palette employed throughout; muted browns, greens, and pinks blend to create a sense of naturalism while simultaneously flattening the perspective. The brushwork is visible and expressive, contributing to a feeling of immediacy and raw observation. Thick impasto is used particularly on the animals’ bodies, highlighting their musculature and creating a tactile quality.
The background is indistinct, suggested rather than defined, which directs attention solely towards the subjects. This lack of spatial depth contributes to an overall sense of compression within the frame. The vegetation at the lower edge of the painting is rendered with similarly loose brushstrokes, echoing the texture of the animals themselves and further unifying the composition.
Subtly, a feeling of quiet solitude pervades the work. The animals appear isolated, engaged in a simple act of sustenance without any apparent interaction or external threat. This could be interpreted as a meditation on the cyclical nature of life, the inherent vulnerability of creatures within their environment, or perhaps even a symbolic representation of human existence – a solitary pursuit of basic needs amidst an indifferent world. The artist’s choice to depict these animals in such a simplified and somewhat abstracted manner suggests a focus on universal themes rather than specific narrative elements.