Portrait of Francoise Louise de la Baume le Blanc (1644-1710) Duchesse de Vaujour also known as Mademoiselle de la Valliere Claude Lefebvre (1632-1675)

The portrait presents a woman in a three-quarter pose, her gaze directed towards the viewer with a measured composure. She is positioned against a dark, indistinct background that suggests a wooded area, though details are obscured by shadow and broad brushstrokes. The lighting emphasizes her face and upper torso, creating a sense of depth and drawing attention to her features.
The woman’s attire is notable for its unusual combination of elegance and pastoral references. She wears a flowing gown in muted silver tones, adorned with rows of pearl buttons down the bodice. A red sash accentuates her waistline, providing a visual contrast against the cool palette of the dress. Drapped over her shoulder is a sheer veil, partially obscuring her hair and contributing to an air of delicate refinement.
In her right hand, she holds a bow, its string taut and aimed slightly upward. At her feet rests a greyhound, leashed and attentive, further reinforcing the connection to a hunt or pastoral scene. The presence of these elements introduces layers of symbolic meaning beyond a simple likeness. The bow and hound are traditional attributes associated with Diana, the Roman goddess of the hunt, suggesting qualities such as independence, skill, and perhaps even a degree of aloofness.
The woman’s expression is carefully controlled; it lacks overt emotion but conveys an impression of intelligence and self-possession. Her posture is upright and dignified, indicative of her social standing. The overall effect is one of restrained beauty and subtle power, hinting at a complex personality beneath the surface of aristocratic decorum.
The artist’s technique demonstrates a mastery of light and shadow to create volume and texture. While the background lacks detail, it serves to isolate the figure and enhance her presence within the composition. The painting appears intended not only as a representation of an individual but also as a visual statement about her character and social role, employing classical iconography to elevate her status and suggest inherent virtues.