#31694 Hans The Younger Holbein

The portrait presents a man positioned against a dense, emerald-green backdrop. He is depicted in a three-quarter view, his gaze directed slightly off-center, conveying a sense of introspection or perhaps detached observation. The sitters attire consists of a dark, richly textured garment – likely velvet – with elaborate detailing at the collar and sleeves. A black cap with a decorative embellishment adorns his head, adding to the overall impression of status and refinement.
The artist has rendered the man’s features with meticulous detail; the skin tone is pale, contrasted by darker shading around the eyes and mouth, which lends depth and realism to the portrayal. The lighting appears to originate from the upper left, illuminating the face and highlighting the folds in his clothing.
Two plaques are positioned on either side of the figure, inscribed with Latin text. These inscriptions likely provide biographical details – the date of birth (X° IVLII. ANNO .H. VIII. XXVIII.) and age (ETATIS SVAE XXXIII.). The inclusion of these markers suggests a deliberate effort to memorialize the individual and establish his identity for posterity.
The composition is formal and restrained, characteristic of Renaissance portraiture. Theres an intentional lack of extraneous detail in the background, which focuses attention entirely on the subject. This simplicity reinforces the sense of dignity and importance associated with the man being portrayed. The posture – arms crossed loosely across his chest – suggests a controlled confidence and self-assurance.
Subtly, there’s a certain melancholy conveyed through the sitters expression; it isnt overtly sad, but rather suggests a quiet gravity or perhaps a burden of responsibility. This nuanced emotional quality adds complexity to the portrait beyond a simple representation of status and appearance.