San Michele Arcangelo (Polyptych of Scanzo) Bartolomeo Vivarini (1432-1499)

The composition presents a central figure dominating the vertical space, rendered in meticulous detail and imbued with a palpable sense of power. Here we see a warrior-like being, clad in elaborate plate armor, poised mid-action. The armor itself is not merely decorative; its intricate rendering suggests both protection and readiness for conflict. A halo surrounds the head, signifying divine status, while feathered wings extend from the back, emphasizing an ethereal quality despite the martial attire.
The figure holds a long spear aloft, directed downwards towards a serpentine form that writhes at his feet. The serpent’s body is contorted in apparent defeat, its scales meticulously depicted and suggesting a struggle. A smaller, human-like figure appears to be emerging from the serpents mouth, adding another layer of complexity to the narrative. This detail could symbolize salvation or liberation from evil.
The artist employed a restrained palette, primarily utilizing gold, silver, and muted earth tones. The gold background creates an otherworldly atmosphere, highlighting the central figure’s importance. The use of light is strategic; it illuminates the armors surface, accentuating its texture and reflecting the divine radiance. Shadows are carefully placed to define form and create depth.
The overall impression conveyed is one of triumph over adversity. The warrior’s posture – firm yet dynamic – suggests unwavering resolve. The composition seems to embody a symbolic victory of good over evil, with the central figure acting as an instrument of divine justice. The inclusion of the smaller figure emerging from the serpents mouth introduces a subtle element of hope and redemption within this narrative of conflict.