Vladimir Borovikovsky – Portrait of Ekaterina Vasilievna Torsukova
1795. 34×28
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman’s attire contributes significantly to her characterization. A simple white gown forms the base of her ensemble, its sleeves gathered at the wrist with delicate detailing. A crimson shawl is draped across her shoulders and arm, adding a touch of warmth and richness to the composition. The shawls intricate pattern introduces a subtle element of luxury without overwhelming the overall simplicity of the scene. A dark ribbon adorns her hair, which is styled in loose curls characteristic of the period.
Her posture conveys a quiet dignity; she rests one arm on another, holding a small object – perhaps a fan or a writing instrument – in her hand. This gesture suggests leisure and refinement, reinforcing an impression of cultivated sensibility. The lighting is soft and diffused, illuminating her face and highlighting the delicate features – the slightly upturned nose, the gentle curve of her lips, and the subtle shadows under her eyes.
The artist’s use of color is restrained but effective. The pale tones of the gown contrast with the darker background and the vibrant red of the shawl, drawing attention to the womans face and upper body. There is a deliberate avoidance of strong contrasts or dramatic effects; instead, a sense of understated elegance prevails.
Subtly, the painting hints at an interiority beyond mere physical representation. The slight downward tilt of her eyes suggests introspection, while the gentle curve of her mouth implies a quiet reserve. It’s possible to interpret this as a portrayal not just of outward appearance but also of inner character – a woman possessing both grace and a certain degree of sadness or contemplation. The setting, though naturalistic, feels somewhat staged, contributing to an overall sense of formality and deliberate presentation.