Ingres Auguste Jean Marie Guenepin Jean Auguste Dominique Ingres (1780-1867)

The drawing presents a portrait study executed in graphite on paper. A gentleman is depicted from the chest upwards, occupying most of the compositions space. He appears to be of considerable stature, with a round face and closely curled hair that frames his features. His expression is one of quiet contemplation; the gaze directed towards the viewer conveys a sense of reserved dignity.
The subject wears what seems to be a clerical garment – a cassock – fastened by numerous small buttons down the front. The folds of the fabric are rendered with meticulous detail, demonstrating an acute observation of drapery and texture. His hands are clasped in front of him, holding a closed book or document; this gesture suggests intellectual pursuits or perhaps a position of authority.
Behind the gentleman, a cityscape is sketched lightly. Buildings with multiple windows rise into the background, hinting at an urban setting – possibly Paris, given the architectural style. The buildings are not rendered with great detail but serve to establish spatial context and provide depth to the composition.
The artist’s use of line work is particularly noteworthy. Hatching and cross-hatching techniques create tonal variations, defining form and volume. A subtle play of light and shadow across the subjects face and clothing adds a degree of realism. The drawing possesses an air of formality, suggesting it may have been intended as a preliminary study for a more elaborate work.
Subtly, there is a sense of restrained emotion conveyed through the gentleman’s posture and expression. He does not project exuberance or drama but rather a quiet self-assurance. This restraint could be interpreted as indicative of his social standing or personal character. The presence of the book further reinforces an association with learning and perhaps religious vocation.