Ingres Andre Benoit Barreau called Taurel Jean Auguste Dominique Ingres (1780-1867)

The drawing presents a gentleman in a three-quarter pose, his gaze directed towards the viewer with a measured intensity. He is dressed in a dark overcoat buttoned high at the neck, layered over what appears to be a waistcoat and shirt. A loosely knotted cravat hangs from his collar. The subject wears spectacles, which contribute to an impression of intellectualism or scholarly pursuits. His hair is styled in a manner characteristic of the early nineteenth century, with carefully arranged curls framing his face.
The artist has employed a technique that emphasizes line and shading to create form and volume. Hatching and cross-hatching are evident throughout, particularly in rendering the folds of the coat and the contours of the face. The hand is positioned near the lower edge of the composition, subtly gesturing towards the background.
Behind the gentleman, a landscape unfolds. A large building with a prominent dome dominates the right side of the scene, suggesting an institutional or public setting – perhaps a palace, academy, or government edifice. The architectural details are rendered with less precision than the figure itself, indicating that they serve primarily as contextual backdrop rather than objects of primary interest. The landscape is loosely sketched, contributing to a sense of depth and atmosphere.
Subtleties in the drawing suggest more than just a straightforward portrait. The subject’s posture conveys a certain self-assurance, yet theres also an element of reserve in his expression. The spectacles might be interpreted as symbols of reason or learning, reinforcing this impression. The choice to place him against the backdrop of a grand building could imply status, influence, or involvement with significant institutions. Overall, the drawing conveys a sense of quiet dignity and intellectual gravitas, hinting at a man of substance and position within his society.