Jean Auguste Dominique Ingres – Marcotte d’Argenteuil
1810. 93x69
Location: National Gallery of Art, Washington.
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The man’s expression is reserved; he gazes directly forward with a contemplative air. His features are finely rendered – a straight nose, full lips, and dark, attentive eyes – suggesting intelligence and perhaps a degree of melancholy. The hair is neatly styled, swept back from his forehead and collar, indicative of the conventions of formal portraiture during the period.
He wears a dark blue or black military-style coat with prominent lapels and gold detailing. A high, stiff collar frames his neck, beneath which a glimpse of a white shirt and yellow cravat is visible. The presence of what appears to be a decorative rosette on his chest suggests an affiliation with some form of order or regiment.
The artist’s technique demonstrates a meticulous attention to detail in the rendering of textures – the sheen of the fabric, the subtle variations in skin tone, and the careful depiction of hair. This level of realism aligns with the aesthetic preferences of the era, prioritizing verisimilitude and an idealized representation of the sitter.
Subtly, the portrait conveys a sense of status and authority. The formal attire, combined with the direct gaze and composed demeanor, suggests a man of importance – likely someone holding a position of responsibility within the military or government. The muted background reinforces this impression by isolating him from any specific context, elevating his presence to that of an archetype rather than a particular individual. There is a certain austerity in the composition; it avoids overt displays of wealth or sentimentality, hinting at a character defined by duty and restraint.