Jean Auguste Dominique Ingres – Francesca da Rimini and Paolo Malatesta
1819
Location: Soumaya Museum, México.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The figures are set within an interior space, the details of which are deliberately obscured by shadow. The darkness emphasizes their intimacy while simultaneously isolating them from a broader context. To the right, partially concealed in the gloom, stands a third figure. He is dressed in dark attire with a pointed hat, his face etched with an expression that appears to be one of sorrow or perhaps foreboding. His posture suggests observation rather than active participation; he seems to witness their moment from a distance.
The arrangement of hands is particularly significant. The man’s hand rests upon the womans arm, a gesture that conveys both tenderness and possessiveness. Her hand, in turn, is placed on his shoulder, indicating reciprocation but also perhaps a degree of resignation or constraint. A book lies open at their feet, its contents unreadable, yet it serves as a visual cue – possibly alluding to the narrative source of this scene, or representing knowledge and forbidden desires.
The overall effect is one of intense emotional drama. The lighting focuses attention on the central figures, highlighting their physical closeness while leaving much of the surrounding environment in obscurity. This creates an atmosphere of secrecy and heightened tension. The presence of the observing figure introduces a sense of impending consequence, suggesting that this moment of intimacy is fraught with peril or destined for tragedy. The color palette, dominated by red and gold against a dark background, amplifies the emotional intensity and contributes to the painting’s overall dramatic impact.