Jean Auguste Dominique Ingres – Hortense Reiset
1846. 62x49
Location: Fogg Art Museum, Harvard University, Cambridge.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The womans hair is styled in elaborate ringlets that cascade around her face and shoulders, meticulously arranged to frame her visage. Her complexion appears pale, accentuated by the dark color of her dress. The garment itself is a high-necked, fitted design with subtle textural detailing visible on the fabric’s surface. A delicate lace collar adorns her neck, adding a touch of refinement and elegance. She rests one arm upon a draped white cloth that covers the chairs backrest; this gesture contributes to an impression of composure and restraint.
The lighting is soft and diffused, illuminating her face evenly while casting subtle shadows that define the contours of her features. The artist has rendered the eyes with particular care, capturing a sense of intelligence and perhaps a hint of melancholy. There’s a certain stillness about her expression; its not overtly joyful or sorrowful, but rather suggests an interiority, a depth of thought.
Subtly, the painting conveys notions of social standing and propriety. The formal attire, the carefully controlled hairstyle, and the restrained posture all point to a woman belonging to a privileged class, adhering to conventions of decorum. The lack of background detail reinforces this sense of isolation – she is presented as an individual, defined by her appearance and bearing rather than her surroundings or relationships.
The overall effect is one of quiet dignity and understated beauty. It’s a portrait intended not merely to record likeness but also to convey character and social identity within the context of its time.