Ingres Charles Robert Cockerell Jean Auguste Dominique Ingres (1780-1867)

The drawing presents a gentleman in a three-quarter pose, facing forward with a slight turn towards the viewers left. He is depicted from the chest upwards, his gaze direct and seemingly engaged. The artist employed a rapid, gestural style using graphite or charcoal, evident in the loose, energetic lines that define the figure’s form.
The man’s hair is styled in tight curls, framing his face and contributing to an overall impression of meticulous grooming and perhaps a certain formality. His attire consists of a dark coat with a high collar and what appears to be a fur-lined lapel, suggesting a degree of wealth or status. The rendering of the clothing is less detailed than the facial features, emphasizing the sitter’s presence over the specifics of his garments.
The artists technique reveals an interest in capturing not just likeness but also character. Subtle variations in line weight and shading suggest a careful observation of light and shadow, lending depth to the face and highlighting certain features – notably the brow and jawline. The lines are confident and economical, conveying a sense of immediacy and spontaneity.
A small inscription is visible at the top right corner, written in script that appears to identify the sitter and date the work. This textual element provides context without intruding on the visual composition.
The drawing’s overall effect is one of restrained elegance and quiet dignity. The subjects direct gaze establishes a connection with the viewer, while the artist’s skillful handling of line creates a sense of both intimacy and distance. It appears to be a preliminary study or a quick portrait intended to capture an essential likeness rather than a fully realized finished work.