Joan of Arc at the coronation of King Charles VII in the cathedral at Reims, July 1429 Jean Auguste Dominique Ingres (1780-1867)
Jean Auguste Dominique Ingres – Joan of Arc at the coronation of King Charles VII in the cathedral at Reims, July 1429
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Painter: Jean Auguste Dominique Ingres
Location: Louvre (Musée du Louvre), Paris.
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The painting was created in 1854 in oil on canvas. The style in painting is Neoclassicism. The genre is historical painting. Engrère is a French painter. He is considered the founder of academism in 19th-century Europe. For France he became the great master of portraiture. His sitters included important public figures, Napoleon, the emperor’s army supplier, and his wife. He also painted portraits with nude figures. The painting Joan of Arc at the Coronation of Charles 7 is a masterpiece of French painting by Hengre.
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Description of Jean Auguste Engres’ painting Jeanne d’Arc at the Coronation of Charles 7
The painting was created in 1854 in oil on canvas.
The style in painting is Neoclassicism. The genre is historical painting.
Engrère is a French painter. He is considered the founder of academism in 19th-century Europe. For France he became the great master of portraiture. His sitters included important public figures, Napoleon, the emperor’s army supplier, and his wife. He also painted portraits with nude figures.
The painting Joan of Arc at the Coronation of Charles 7 is a masterpiece of French painting by Hengre. The painting is based on a historical subject that has entered the national history of France. Engres masterfully executed the work. The painting looks very realistic.
Joan of Arc is a girl who is a hero of the French state. She was also the commander in chief of the troops.
The plot described in the painting took place in March 1429. One day the holy maiden appeared to the dauphin of France and informed him that he would become a viceroy and would be crowned before the King of Heaven as one king. This historic event would take place in the city of Reims.
Three months later, the saint’s prophecy was fulfilled; the coronation takes place in the city of Reims. This event heralded the national independence of France. The entire population enthusiastically welcomed the new king. After which the campaign to liberate the state of France from the English was carried out. The dual power in the territory of France was ended. The state was liberated in less than a month, without bloodshed, fire, or death. English troops retreated without a fight.
Unfortunately, Joan of Arc’s fate was tragic, as she was burned at the stake. She was taken prisoner and handed over to England. They recognized her as a heretic. This was followed by a public burning at the stake.
Later the girl was canonized, canonized as a saint and rehabilitated.
The painting is kept in storage in France. Louvre.
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The artist has rendered the central figure with an air of resolute confidence. Her gaze is directed upwards, suggesting a connection to something beyond the immediate physical setting. The armor itself, meticulously detailed, conveys both strength and protection, yet its weight seems effortlessly borne by her posture. A palpable sense of ceremony pervades the scene; numerous individuals are visible in the background, their faces partially obscured, seemingly engaged in the proceedings. Their attire suggests a gathering of nobility and clergy.
The color palette is dominated by rich reds, golds, and blues, characteristic of ceremonial depictions. The use of light and shadow creates depth and emphasizes the central figures importance within the narrative. The banner she carries is not merely decorative; it serves as a visual declaration of allegiance and purpose. Its design likely holds symbolic meaning related to the historical context of the event.
Subtly, there’s an interplay between earthly power and divine sanction at work here. While the coronation signifies the restoration of royal authority, the presence of this armored figure suggests a more complex dynamic – one where military prowess and spiritual conviction are intertwined. The artist seems to be exploring themes of legitimacy, faith, and the role of extraordinary individuals in shaping historical events. The composition’s focus on the individual within a larger ceremonial context invites contemplation about agency and destiny.