jawlensky3 Alexej Jawlensky (1864-1941)

The painting presents a highly stylized portrait, dominated by geometric forms and a vibrant color palette. Here we observe a frontal depiction of what appears to be a human head, though rendered in a manner that prioritizes abstraction over realistic representation. The face is constructed from angular planes, delineated by strong black outlines which contribute to the overall sense of fragmentation.
The artist employed a limited range of hues – primarily oranges, pinks, blues, and greens – applied with visible brushstrokes. These colors are not blended smoothly; instead, they exist in juxtaposition, creating a dynamic visual tension. The background is similarly composed of blocks of color, lacking any discernible spatial depth or perspective.
The eyes are suggested by circular forms, positioned asymmetrically on the face. They lack detail and appear more like decorative elements than windows to an inner life. A prominent, elongated nose extends from the central plane, culminating in a sharp point. The mouth is depicted as a simple horizontal line, conveying a sense of quietude or perhaps even resignation.
The composition’s structure suggests a deliberate attempt to deconstruct and reassemble the human form. This process moves beyond mere portraiture; it explores the essence of identity through simplified shapes and expressive color. One might interpret this work as an investigation into the psychological state, conveying feelings of isolation or introspection. The flattening of space and the lack of traditional perspective contribute to a sense of detachment, suggesting that the subject is presented not as an individual but as a symbol – a representation of human experience stripped bare.

The overall effect is one of controlled intensity; the bold colors and sharp angles create a visual energy tempered by the painting’s formal restraint.