Giovanni Battista Pace – The Dream of Joseph
17th century probably.
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Above him, emerging from a swirling vortex of dark clouds, is an angelic being. This figure is rendered with considerable detail; the wings are expansive and feathered, catching what little light penetrates the gloom. The angel’s expression is serene, almost compassionate, as it descends towards the man below. The drapery clinging to its form suggests movement and grace, contrasting sharply with the grounded stillness of the human figure.
The background is largely obscured by shadow, though a suggestion of architectural forms – perhaps a city or fortress – can be discerned in the distance. This backdrop provides a sense of scale and context, implying that the man’s troubles are not merely personal but potentially involve larger societal concerns. A smaller, indistinct figure appears to be present on the right side of the composition, adding another layer of narrative complexity.
The paintings subtexts revolve around themes of divine guidance, hope amidst adversity, and the interpretation of signs. The angel’s arrival signifies a moment of intervention, offering solace or perhaps foreshadowing a resolution to the man’s anxieties. The contrast between the darkness enveloping the scene and the ethereal light surrounding the angelic figure underscores the power of faith and the possibility of transcendence even in times of profound distress. The composition suggests that understanding – and potentially salvation – can be found through spiritual insight, though it is delivered within an atmosphere of uncertainty and emotional turmoil.