Portrait of the Queen of Sweden Desiree Clary in 1818 from ’Napoleon et les femmes’ by Masson Antoine Calbet (1860-1944)

Here we observe a portrait of a woman rendered in a style suggestive of late 18th or early 19th-century illustration. The subject is depicted in profile, turned slightly away from the viewer, her gaze directed towards an unseen point beyond the frames edge. She appears to be of mature age, with carefully styled hair partially concealed by a light-colored head covering that drapes elegantly around her shoulders.
The artist has employed a technique combining detailed line work and subtle shading to convey texture and form. The fabric of her gown is rendered with meticulous attention, suggesting a flowing, lightweight material adorned with delicate floral patterns. A dark shawl or cloak is loosely held in her hand, adding depth and visual interest to the composition.
The overall impression is one of restrained elegance and quiet dignity. Her posture conveys an air of composure, while the slight turn of her head hints at a thoughtful introspection. The subdued color palette – primarily consisting of muted tones with touches of darker hues – contributes to the painting’s somber yet refined atmosphere.
Given its inclusion within a collection focused on Napoleon and the women associated with him, subtexts relating to power, status, and perhaps even loss or regret are likely present. The womans attire suggests membership in an aristocratic class, while her contemplative expression might allude to the burdens of responsibility or the complexities of navigating a world shaped by political upheaval. The head covering could be interpreted as a symbol of modesty or adherence to societal expectations. Ultimately, the work invites consideration of the individual within the context of broader historical forces and personal narratives.