Louis Boulanger – King Lear and the Fool in the Storm Act III Scene 2 from King Lear by William Shakespeare
Location: Museum of Petit Palais (Musée du Petit-Palais), Paris.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The landscape is stark and unforgiving – a rocky outcrop dominates the foreground, its surface slick with rain. Behind them, the horizon dissolves into a swirling mass of dark clouds, illuminated by flashes of light that suggest an impending or ongoing electrical storm. The artist has employed a limited palette dominated by earthy tones – browns, grays, and whites – which amplify the sense of bleakness and despair.
The older man’s posture is particularly striking; his body contorts in anguish, his face obscured by shadow yet conveying intense suffering. His bare feet suggest vulnerability and a stripping away of status or dignity. The younger figures grip on him implies both protection and constraint – a complex dynamic that hints at the complicated relationship between these two individuals. He seems to be attempting to ground the older man, preventing him from succumbing entirely to his despair.
Subtleties in the rendering suggest a deeper narrative. The swirling motion of the storm is not merely atmospheric; it mirrors the internal turmoil of the elder figure. The contrast between his exposed skin and the younger man’s protective clothing underscores themes of age versus youth, power versus dependence, and perhaps even sanity versus madness.
The scene evokes a sense of isolation and abandonment. There are no other figures present, emphasizing the protagonists solitude in their suffering. The storm itself can be interpreted as a visual representation of the chaos that has engulfed their lives – a consequence of flawed judgment and familial betrayal. It is not simply a backdrop but an active participant in the drama unfolding before us, embodying the destructive forces at play.