Yoshitoshi – 016 Suzaku Gate Moon Suzakumon no tsuki
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the right of the figure, partially obscured by the moons radiance, stands a structure resembling a gate or pavilion. A vertical inscription is affixed to its surface, rendered in traditional Japanese calligraphy; its meaning remains inaccessible without translation but contributes to the overall sense of cultural specificity and historical context. The architectural element provides a grounding point within the otherwise dreamlike atmosphere.
The color palette is restrained, relying heavily on muted blues, greens, and grays to evoke the stillness of night. Accents of pink and white are present in the figure’s attire and the moons glow, adding subtle visual interest without disrupting the overall somber mood. The artist employed a technique that emphasizes flat planes of color and simplified forms, characteristic of woodblock prints.
Subtly, the work seems to explore themes of solitude, reflection, and the passage of time. The figure’s averted gaze suggests an inward focus, while the moon – a recurring motif in Japanese art symbolizing beauty, transience, and longing – amplifies this sense of introspection. The presence of the musical instrument hints at a connection with artistic expression or perhaps a lament for something lost. The gate itself could symbolize boundaries, transitions, or thresholds between different realms – physical or spiritual. Overall, the painting conveys an atmosphere of quiet contemplation, steeped in tradition and imbued with a delicate melancholy.