John Frederick Herring – Returning from the Hunt
c.1855. 52×66
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see two men on horseback, positioned diagonally across the canvas. The foremost rider, clad in a vibrant red hunting coat, dominates the visual field with his bright attire. His posture suggests urgency; he leans forward, urging his white horse onward. Behind him, another figure, dressed in darker clothing, follows closely, seemingly less concerned with speed and more focused on maintaining balance. The horses themselves are rendered with considerable attention to detail – their musculature is evident as they leap the barrier, conveying a sense of power and controlled movement.
The atmospheric conditions play a significant role in shaping the mood. A heavy rain falls, indicated by the streaks across the sky and the sheen on the horses’ coats. The overcast sky contributes to a somber palette dominated by grays and browns, punctuated only by the red coat and the pale coloration of the lead horse. This contrast highlights the hunters status and perhaps his resilience against the elements.
The landscape is sparsely detailed; bare trees are visible in the background, suggesting a late autumn or winter season. The brick barrier itself appears weathered and worn, hinting at its long-standing presence within this rural environment.
Subtly, the painting conveys themes of social class and leisure. The activity depicted – a hunt – was traditionally an aristocratic pursuit. The men’s attire and confident bearing reinforce their elevated position in society. The scene also speaks to a connection with nature, albeit one mediated through sport and privilege. The rain, while potentially disruptive, seems almost accepted as part of the experience, suggesting a familiarity and comfort within this environment.
The oval format itself is noteworthy; it evokes the form of a shield or medal, which could be interpreted as an allegorical representation of valor or accomplishment in the context of the hunt. Overall, the work captures a fleeting moment of action and conveys a sense of both dynamism and quiet contemplation within a specific social and natural setting.