Rachel Ruysch – ruysch bouquet in glass vase 1703
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The glass vase itself is rendered with meticulous attention to detail; its transparency allows for a glimpse of the flowers within, while also reflecting light in subtle gradations. The ledge provides a grounding element, anchoring the arrangement and creating a sense of depth. A small cluster of plums or cherries sits at the front edge of the ledge, adding another layer of still life elements.
The color palette is dominated by warm tones – reds, oranges, pinks – balanced by cooler blues and greens. The dark background serves to intensify the vibrancy of the flowers, drawing the viewer’s eye directly to the arrangement. Light plays a crucial role in the work; it illuminates certain petals and leaves while leaving others in shadow, creating a sense of three-dimensionality and highlighting the textures of the various elements.
Beyond its purely decorative function, this still life likely carries symbolic weight. Flowers often represented transience and mortality – the fleeting nature of beauty and life itself – a common theme in Dutch Golden Age art. The inclusion of fruit could symbolize abundance and fertility, while the glass vase might allude to fragility or containment. The overall effect is one of opulent display combined with a quiet meditation on the passage of time and the ephemeral quality of earthly pleasures.