Albrecht Dürer – Salvator Mundi
1503-04. 58x47. (unfinished)
Location: Metropolitan Museum of Arts, New York.
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The figure’s attire consists of flowing robes; a blue garment covers the torso, while a red cloak drapes over one shoulder. The folds of the fabric are rendered with considerable attention to detail, creating a sense of volume and movement. In his raised right hand, he holds a translucent sphere, within which a smaller, indistinct form is visible. His left hand is extended in a gesture of benediction or blessing. A ring adorns the finger of that hand.
The lighting appears to originate from an unseen source above and to the left, illuminating the face and upper body while leaving parts of the robes in shadow. This creates a dramatic effect, emphasizing the figure’s features and contributing to a sense of solemnity. The skin tone is pale, with subtle modeling suggesting underlying bone structure.
The sphere held by the man introduces an element of symbolic complexity. Its transparency suggests revelation or divine grace, while the contained form within hints at a larger cosmic order or perhaps a representation of the world itself. The gesture of blessing, combined with the upward gaze, conveys a sense of spiritual authority and intercession. The ring on his finger could signify status, power, or a connection to a specific lineage or institution.
The overall effect is one of quiet dignity and profound spirituality. While the figure’s expression is not overtly emotional, theres an underlying feeling of compassion and serenity conveyed through his posture and gesture. The restrained palette and careful rendering contribute to a sense of timelessness and reverence.